Dude, Where's My Christmas Tree - and why is my fugitive media, so like, fugitive?




So, remember when I decided to remove "the dude selling Christmas trees"?  I was left with this - which was a problem.

But how to cover it up?  I tried painting it (didn't help), melting it (the base of this piece is a man-made fabric) but it only scorched it. So then I tried painting the scorching which also didn't work, so I had to remove the paint and then scorch the whole thing to match, giving it a nice, yellow cast (good thing I'm not planning to enter it in any shows!) and then I sat and puzzled till my puzzler broke.

So what did I do?



I put the trees back in.  <SIGH>



I should have stopped here, right?



BUT NO.  I cannot leave well enough alone.



Dude selling Christmas trees is back. The good thing is, with all the detail in the piece now, it doesn't stick out as much as it did in the original incarnation of the dude. 

So, for next time, what would YOU do?



While I'm re-visiting Last Fall, In Spring, I thought I'd show you the back. Lately, I've been mounting my work on frames from second hand stores and charity shops (attaching the piece with a staple gun) and then sewing on a false back by hand. When it's done - I screw picture hanging hardware onto the frame and it's done.

I like the look of it, but I may stop doing it because it makes it difficult to keep clean.  I'll have to think about it and consider options. :)

Now on to the fugitive media.


You may remember about two months ago I said I was going to post about my "flower pounding" experiment and then I posted the next day and said that I'd somehow managed to lose the fabrics in a studio clean up.  Well I found them!

So - a reminder - I don't really know anything at all about flower pounding, but eight months ago, someone at one of the blogs I read (I honestly don't remember anymore who it was) had done some flower pounding (you gets your petals or your whole flowers, pound the crap out of 'em onto some fabric, and bob's your uncle - you've got some lovely colour.)

She had some great results and when I caught her blog, she was busy adding some thread painting and embellishing. I asked her about the colour fastness and she said she didn't know, but assumed it would be like other natural dyeing.  

Given that there was no mordant and nothing to set the colour but heat (ironing the fabric); I had my doubts, but decided to give it a whirl with some lettuce leaves we didn't want to eat. 

As you can see, I got some fairly good prints - with veining and everything!

I did four pieces - two on old cotton sheeting, two on a former damask tablecloth . One set of fabrics I folded up and put away in a cloth bag in a closet. 




The other set was draped over the top of a bookcase in my sewing room and was just let to sit. They weren't exposed to natural sunlight, but were exposed to florescent lighting.   As you can see, there were some issues.



Although I'm posting these pics eight months after my initial pounding, the process was actually arrested at the six month mark - at which point both of these pieces were put away in the dark.

So, if you can figure out a way to mordant the cloth before you do the pounding, you may get a longer lasting result than I did, but this isn't something I'll be trying again.  If I'd left the top piece out another two months, it may have disappeared altogether!

UPDATE:  Colleen Cole advises that she has used alum and washing soda as a mordant on fabric and that her results have lasted 7+  years. She learned the technique from "Flower Pounding" a book by Ann Frishkorn.





Completely unrelated but since I'm doing a chatty post;  I thought I'd show you these super cute tools I picked up at the weekend - this little scissor and tweezer set ought to make my detail work a lot more fun, no?

See you on Friday with the beginnings of something new!

Kit 120

Kit Lang

6 comments:

  1. I've done flower pounding & actually loved the meditative motion of pounding the crap out of something. lol. I did mine on prepared for dye fabric. I wonder if a surface fixative would have kept the colour longer? My favorite was fern leaves & beebalm flower heads.

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  2. Yes, pounding is a lot of fun if you're feeling frustrated. ;) I'm sorry though to hear that people like yourself who put a lot of work into it have lost the original colour. *boo!*

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  3. I did flower pounding originally on handmade paper several years ago. It was really nice. I also tried it on fabric, but I think it's either lost or thrown away. I'd guess that lettuce has so much water in it that maybe it doesn't hold the color as well. I used pink and purple flowers and the color stayed much longer than yours, but I'm not sure I'd trust it in a long term project... Love the little evergreen trees!

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  4. Love those cute little tools! I did some flower pounding a couple of summers ago and the piece of fabric has been on a shelf since. It hasn't lost any of it's colour, but I've now moved it into a spot with more light exposure. We'll see what happens to it.

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  5. I have done the pounding but used the back of a teaspoon and more kneading than pounding and got quite subtle results. Mine are colour fast but I bet thats cos theyve not been exposed to much daylight. Tho I bet some flora will be more colour fast than others. I did mordant my fabric before I 'spooned' though, with alum if I recall rightly.

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  6. KIt- I have used flower pounding in the past with alum and washing soda as a mordant. A piece I completed with this technique has been on my studio wall for many ? 7 years with little fading although it is in indirect sunlight. I have not washed it nor wouId I probably wash anything I made with this technique. I used the instructions in a book called " Flower Pounding" by Ann Frishkorn, a gal who belonged to a guild I went to many moons ago. It gave nice gentle prints with unexpected color change once it hit the fabric. I know you need a mordant though.

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